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UID:news1040@zasb.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20190522T190038
DTSTART;TZID=Europe/Zurich:20190527T181500
SUMMARY:Lenore Manderson: Earth\, Itself: Art\, science and conceptualizing
  the future 
DESCRIPTION:Abstract:Climate change embraces a unique breadth of scholarshi
 p. Planetary science\, evolutionary biology and geology\, the social and p
 olicy sciences and humanities\, come together as a diverse bundle of knowl
 edge systems\, and their interaction is at the core understanding of compr
 ehending global warming and rapid planetary change\, and to avert continui
 ng and escalating catastrophe.  We are on the edge of this now. For the p
 ast five years\, I have curated and produced an art/science program\, as E
 arth\, Itself (2015-2019) at Brown University in the US\, and as Watershed
  (2018) at the University of the Witwatersrand in South Africa. The progra
 ms brought together scholars from these diverse fields with practicing art
 ists. This was structured through using early understandings of earth syst
 ems and bodies\, across cultures\, time and place\, in terms of the elemen
 ts (and so: earth/dance\, air/music\, fire/the fire arts\, water/text). In
  this presentation\, I will turn to art works produced for Earth\, Itself 
 and Watershed to illustrate how art can change perception and create a sen
 se of possibility. Drawing on video clips\, sound bites\, stills and text 
 \, I consider how artists draw on scientific work and challenge paradigms\
 , and how this works to provoke us to think of ways forward to protect bot
 h the environment and health. \\r\\nBionote: Lenore Manderson is Distingu
 ished Professor of Public Health and Medical Anthropology in the School of
  Public Health\, University of the Witwatersrand\, and previous held profe
 ssorial positions at Monash\, Melbourne and Queensland Universities in Aus
 tralia. She is known internationally for her research\, publishing and edu
 cation  on inequality and the social context of infectious and chronic di
 sease\, as a researcher. She has extensive advisory experience\, particula
 rly since 1988 with the Special Programme in Research and Training in Trop
 ical Diseases (WHO/TDR). She is editor of the journal Medical Anthropology
 . From May 2014-May 2019 she was Distinguished Visiting Professor of Envir
 onmental Science\, Institute at Brown for Environment and Society (IBES)\,
  where her work focused on art/science intersections on climate change\; s
 he continues to teach in association with Brown and IE (Madrid) on biodive
 rsity and social innovation. She played a lead role in the Australian Acad
 emy of Science project\, Australia 2050\, on population\, equity\, climate
  change and sustainability\, and was awarded the Society of Medical Anthro
 pology Career Achievement Award in 2016 in acknowledgement of her career-l
 ong contributions to theory and method.  See lenoremanderson.com
X-ALT-DESC:<b>Abstract:</b><br />Climate change embraces a unique breadth o
 f scholarship. Planetary science\, evolutionary biology and geology\, the 
 social and policy sciences and humanities\, come together as a diverse bun
 dle of knowledge systems\, and their interaction is at the core understand
 ing of comprehending global warming and rapid planetary change\, and to av
 ert continuing and escalating catastrophe.&nbsp\; We are on the edge of th
 is now. For the past five years\, I have curated and produced an art/scien
 ce program\, as <i>Earth\, Itself</i> (2015-2019) at Brown University in t
 he US\, and as <i>Watershed</i> (2018) at the University of the Witwatersr
 and in South Africa. The programs brought together scholars from these div
 erse fields with practicing artists. This was structured through using ear
 ly understandings of earth systems and bodies\, across cultures\, time and
  place\, in terms of the elements (and so: earth/dance\, air/music\, fire/
 the fire arts\, water/text). In this presentation\, I will turn to art wor
 ks produced for <i>Earth\, Itself </i>and <i>Watershed </i>to illustrate h
 ow art can change perception and create a sense of possibility. Drawing on
 <i> </i>video clips\, sound bites\, stills and text \, I consider how arti
 sts draw on scientific work and challenge paradigms\, and how this works t
 o provoke us to think of ways forward to protect both the environment and 
 health. \n<b>Bionote: </b><br />Lenore Manderson&nbsp\;is Distinguished Pr
 ofessor of Public Health and Medical Anthropology in the School of Public 
 Health\, University of the Witwatersrand\, and previous held professorial 
 positions at Monash\, Melbourne and Queensland Universities in Australia. 
 She is known internationally for her research\, publishing and education&n
 bsp\; on inequality and the social context of infectious and chronic disea
 se\, as a researcher. She has extensive advisory experience\, particularly
  since 1988 with the Special Programme in Research and Training in Tropica
 l Diseases (WHO/TDR). She is editor of the journal <i>Medical Anthropology
 .</i> From May 2014-May 2019 she was Distinguished Visiting Professor of E
 nvironmental Science\, Institute at Brown for Environment and Society (IBE
 S)\, where her work focused on art/science intersections on climate change
 \; she continues to teach in association with Brown and IE (Madrid) on bio
 diversity and social innovation. She played a lead role in the Australian 
 Academy of Science project\, <i>Australia 2050</i>\, on population\, equit
 y\, climate change and sustainability\, and was awarded the Society of Med
 ical Anthropology Career Achievement Award in 2016 in acknowledgement of h
 er career-long contributions to theory and method.&nbsp\; See lenoremander
 son.com 
DTEND;TZID=Europe/Zurich:20190527T190000
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