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UID:news1646@zasb.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20241028T091756
DTSTART;TZID=Europe/Zurich:20200525T181500
SUMMARY:Rizvana Bradley:  Aesthetics\, Raciality\, and Dispossession (onlin
 e)
DESCRIPTION:Online lecture followed by live Q&A\\r\\nWith: Rizvana Bradley 
 (History of Art and African-American Studies\, Yale)Moderation: Dominique 
 Grisard (The Art of Intervention\, Gender Studies\, Basel)\\r\\nThis  talk
  addresses racialized embodiment and embodied life in relation to  the int
 erlocking questions of violence\, surplus\, and representation that  subte
 nd globalized flows of capital. If\, as Paula Chakravartty and  Denise Fer
 reira da Silva suggest\, the logic of global financial capital  hinges upo
 n an irreducible raciality\, how might we think about the minor  aesthetic
  practices generated by "aberrant economic subjects" who at  once bear the
  conditions of possibility for\, intransigent threats to\,  and deviant en
 actments of dispossessive accumulation?\\r\\nRizvana  Bradley is Assistant
  Professor of the History of Art and  African-American Studies at Yale. He
 r forthcoming book project is a  recipient of a Creative Capital | Andy Wa
 rhol Foundation Arts Writers  Grant\, and offers a critical examination of
  the black body across a  range of experimental artistic practices that in
 tegrate film and other  media. Bradley guest edited a special issue of the
  journal Women and Performance: A Journal of Feminist Theory\, and has pub
 lished articles in TDR: The Drama Review\, Discourse: Journal for Theoreti
 cal Studies in Media and Culture\, Rhizomes: Cultural Studies in Emerging 
 Knowledge\, Black Camera: An International Film Journal\, and Film Quarter
 ly. She was a Helena Rubinstein Critical Studies Fellow at the Whitney Mus
 eum of American Art in New York.\\r\\nDominique  Grisard a historian by tr
 aining\, teaches Gender Studies at the  University of Basel and directs th
 e Swiss Center for Social Research.  Currently she is finishing a monograp
 h on the color pink. Together with  Andrea Zimmermann she created the even
 t-platform “The Art of  Intervention”.\\r\\nEine Kooperation des Swiss
  Center for Social Research\, des Zentrums Gender Studies und der Graduate
  School of Social Sciences (G3S) der Universität Basel sowie des Kunstmus
 eumsBasel.
X-ALT-DESC:<p> Online lecture followed by live Q&amp\;A</p>\n<p><b>With:</b
 > Rizvana Bradley (History of Art and African-American Studies\, Yale)<br 
 /><b>Moderation:</b> Dominique Grisard (The Art of Intervention\, Gender S
 tudies\, Basel)</p>\n<p>This  talk addresses racialized embodiment and emb
 odied life in relation to  the interlocking questions of violence\, surplu
 s\, and representation that  subtend globalized flows of capital. If\, as 
 Paula Chakravartty and  Denise Ferreira da Silva suggest\, the logic of gl
 obal financial capital  hinges upon an irreducible raciality\, how might w
 e think about the minor  aesthetic practices generated by &quot\;aberrant 
 economic subjects&quot\; who at  once bear the conditions of possibility f
 or\, intransigent threats to\,  and deviant enactments of dispossessive ac
 cumulation?</p>\n<p><b>Rizvana  Bradley</b> is Assistant Professor of the 
 History of Art and  African-American Studies at Yale. Her forthcoming book
  project is a  recipient of a Creative Capital | Andy Warhol Foundation Ar
 ts Writers  Grant\, and offers a critical examination of the black body ac
 ross a  range of experimental artistic practices that integrate film and o
 ther  media. Bradley guest edited a special issue of the journal <i>Women 
 and Performance: A Journal of Feminist Theory\, and has published articles
  in TDR: The Drama Review\, Discourse: Journal for Theoretical Studies in 
 Media and Culture\, Rhizomes: Cultural Studies in Emerging Knowledge\, Bla
 ck Camera: An International Film Journal\, and Film Quarterly. </i>She was
  a Helena Rubinstein Critical Studies Fellow at the Whitney Museum of Amer
 ican Art in New York.</p>\n<p><b>Dominique  Grisard</b> a historian by tra
 ining\, teaches Gender Studies at the  University of Basel and directs the
  Swiss Center for Social Research.  Currently she is finishing a monograph
  on the color pink. Together with  Andrea Zimmermann she created the event
 -platform “The Art of  Intervention”.</p>\n<p>Eine Kooperation des Swi
 ss Center for Social Research\, des Zentrums Gender Studies und der Gradua
 te School of Social Sciences (G3S) der Universität Basel sowie des Kunstm
 useums<br />Basel.</p>
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