BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Sabre//Sabre VObject 4.6.1//EN CALSCALE:GREGORIAN BEGIN:VTIMEZONE TZID:Europe/Zurich X-LIC-LOCATION:Europe/Zurich TZURL:http://tzurl.org/zoneinfo/Europe/Zurich BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:19810329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:19961027T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT UID:news5336@zasb.unibas.ch DTSTAMP;TZID=Europe/Zurich:20260916T164253 DTSTART;TZID=Europe/Zurich:20260924T200000 SUMMARY:Performance: "GAYisa" DESCRIPTION:While conducting research in Basel at the archives of the Cente r for African Studies\, Yuck Miranda came across visual and textual materi al about queer migrant workers from Mozambique who worked in South African mines during the 19th and 20th centuries. This led to the creation of the performance “GAYisa”\, which is based on archival research in South A frica and Mozambique as well as on documents from the Basel Africa Bibliog raphies\, and combines sound\, images\, and narratives into a rich audiovi sual experience.\\r\\nIn “GAYisa”\, Yuck Miranda brings to light homoa ffective relationships and survival strategies that emerged in the shafts and mining environments of South Africa. Together with musician Mbalango\, dancers João Felisberto Armando and Hélio Arnaldo from Maputo\, and the OKRA Collective from Basel\, this repressed knowledge is brought to the s tage in a documentary performance – in Portuguese as well as in Changana and Tsonga\, languages from southern Mozambique.\\r\\nPerformance in Port uguese\, Changana\, Tsonga with translation into German\, French\, and Eng lish X-ALT-DESC:

While conducting research in Basel at the archives of the Cen ter for African Studies\, Yuck Miranda came across visual and textual mate rial about queer migrant workers from Mozambique who worked in South Afric an mines during the 19th and 20th centuries. This led to the creation of t he performance “GAYisa”\, which is based on archival research in South Africa and Mozambique as well as on documents from the Basel Africa Bibli ographies\, and combines sound\, images\, and narratives into a rich audio visual experience.

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In “GAYisa”\, Yuck Miranda brings to light homoaffective relationships and survival strategies that emerged in the sh afts and mining environments of South Africa. Together with musician Mbala ngo\, dancers João Felisberto Armando and Hélio Arnaldo from Maputo\, an d the OKRA Collective from Basel\, this repressed knowledge is brought to the stage in a documentary performance – in Portuguese as well as in Cha ngana and Tsonga\, languages from southern Mozambique.

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Performance in Portuguese\, Changana\, Tsonga with translation into German\, French\, and English

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