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DTSTART:19810329T020000
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DTSTART:19961027T030000
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BEGIN:VEVENT
UID:news4981@zasb.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20251210T155234
DTSTART;TZID=Europe/Zurich:20250905T000000
SUMMARY:Exhibition: "The path to the beyond"
DESCRIPTION:What happens after death? Undoubtedly a question that many peop
 le ask themselves. As to be expected\, the answer varies according to cult
 ure\, religion\, and individual.\\r\\nThe exhibition showcases around 250 
 exhibits from the museum's collection\, representing a wide variety of con
 cepts and ideas about the journey from this world to the next in material 
 form. These range from amulets\, Buddhas\, coffins\, to figures\, fans\, v
 essels\, bells\, musical instruments and masks to jewellery\, thangka\, mo
 rtuary boards\, cloths\, and drawings.\\r\\nMusic worth dying for and film
  clips ensure that the exhibition ends on a somewhat lighter note.
X-ALT-DESC:<p>What happens after death? Undoubtedly a question that many pe
 ople ask themselves. As to be expected\, the answer varies according to cu
 lture\, religion\, and individual.</p>\n<p>The exhibition showcases around
  250 exhibits from the museum's collection\, representing a wide variety o
 f concepts and ideas about the journey from this world to the next in mate
 rial form. These range from amulets\, Buddhas\, coffins\, to figures\, fan
 s\, vessels\, bells\, musical instruments and masks to jewellery\, thangka
 \, mortuary boards\, cloths\, and drawings.</p>\n<p>Music worth dying for 
 and film clips ensure that the exhibition ends on a somewhat lighter note.
 </p>
DTEND;TZID=Europe/Zurich:20260426T000000
END:VEVENT
BEGIN:VEVENT
UID:news5125@zasb.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20260325T114322
DTSTART;TZID=Europe/Zurich:20260416T000000
SUMMARY:Exhibition: "A Kind of Paradise – Colonial-Era Photography in Con
 temporary Art"
DESCRIPTION:How can art help us tell polyphonic stories? What stories are c
 oncealed in historical photographs? And how have contemporary artists reve
 aled these narratives? With “A Kind of Paradise”\, Museum Rietberg pre
 sents a group exhibition that is the first to comprehensively explore this
  phenomenon in global contemporary art. Internationally acclaimed artists 
 from and members of diasporas of Africa\, the Americas\, Asia\, Australia\
 , and Oceania have engaged with colonial-era visual material. Their works 
 – poetic\, critical\, and visionary – explore how such images define i
 dentity\, history\, and a sense of belonging\, and how they may be reinter
 preted. These works reveal a healing power that transcends historical spec
 ificities and can touch us all.\\r\\nA group of twenty renowned artists ex
 plore the current state of this photographic heritage across four thematic
  sections in “A Kind of Paradise – Colonial-Era Photography in Contemp
 orary Art”\, acting as archivists\, counterpoints to the colonial gaze\,
  protective forces\, and powerful storytellers who make space for hidden s
 tories. Formed of photographs\, textiles\, films\, and sculpture\, their c
 ollages expand the medium’s boundaries and bring together questions abou
 t their own identity and collective memories.\\r\\nWith Sammy Baloji (DR C
 ongo)\, Mary Enoch Elizabeth Baxter (USA)\, Raphaël Barontini (France)\, 
 Daniel Boyd (Australia)\, Andrea Chung (USA)\, Omar Victor Diop (Senegal) 
 & Lee Shulman (UK)\, Sasha Huber (Switzerland)\, Yuki Kihara (Samoa)\, Cé
 dric Kouamé (Côte d'Ivoire)\, Dinh Q. Lê (Vietnam)\, Dimakatso Mathopa 
 (South Africa)\, Tuli Mekondjo (Namibia)\, Tshepiso Moropa (South Africa)\
 , Aline Motta (Brazil)\, Frida Orupabo (Norway)\, Rosana Paulino (Brazil)\
 , Wendy Red Star (USA)\, David Shongo (DR Congo)\, Zenaéca Singh (South A
 frica).
X-ALT-DESC:<p>How can art help us tell polyphonic stories? What stories are
  concealed in historical photographs? And how have contemporary artists re
 vealed these narratives? With “A Kind of Paradise”\, Museum Rietberg p
 resents a group exhibition that is the first to comprehensively explore th
 is phenomenon in global contemporary art. Internationally acclaimed artist
 s from and members of diasporas of Africa\, the Americas\, Asia\, Australi
 a\, and Oceania have engaged with colonial-era visual material. Their work
 s – poetic\, critical\, and visionary – explore how such images define
  identity\, history\, and a sense of belonging\, and how they may be reint
 erpreted. These works reveal a healing power that transcends historical sp
 ecificities and can touch us all.</p>\n<p>A group of twenty renowned artis
 ts explore the current state of this photographic heritage across four the
 matic sections in “A Kind of Paradise – Colonial-Era Photography in Co
 ntemporary Art”\, acting as archivists\, counterpoints to the colonial g
 aze\, protective forces\, and powerful storytellers who make space for hid
 den stories. Formed of photographs\, textiles\, films\, and sculpture\, th
 eir collages expand the medium’s boundaries and bring together questions
  about their own identity and collective memories.</p>\n<p>With Sammy Balo
 ji (DR Congo)\, Mary Enoch Elizabeth Baxter (USA)\, Raphaël Barontini (Fr
 ance)\, Daniel Boyd (Australia)\, Andrea Chung (USA)\, Omar Victor Diop (S
 enegal) &amp\; Lee Shulman (UK)\, Sasha Huber (Switzerland)\, Yuki Kihara 
 (Samoa)\, Cédric Kouamé (Côte d'Ivoire)\, Dinh Q. Lê (Vietnam)\, Dimak
 atso Mathopa (South Africa)\, Tuli Mekondjo (Namibia)\, Tshepiso Moropa (S
 outh Africa)\, Aline Motta (Brazil)\, Frida Orupabo (Norway)\, Rosana Paul
 ino (Brazil)\, Wendy Red Star (USA)\, David Shongo (DR Congo)\, Zenaéca S
 ingh (South Africa).</p>
DTEND;TZID=Europe/Zurich:20260906T000000
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