BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Sabre//Sabre VObject 4.5.8//EN CALSCALE:GREGORIAN BEGIN:VTIMEZONE TZID:Europe/Zurich X-LIC-LOCATION:Europe/Zurich TZURL:http://tzurl.org/zoneinfo/Europe/Zurich BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:19810329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:19961027T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT UID:news5041@zasb.unibas.ch DTSTAMP;TZID=Europe/Zurich:20260218T133101 DTSTART;TZID=Europe/Zurich:20260220T193000 SUMMARY:Concert: Andrina Bollinger & Dino Brandão DESCRIPTION:In the work of Swiss artist Andrina Bollinger\, avant-pop\, jaz z\, poetry\, and performance art collapse into a multisensory maze. Initia lly trained in jazz but unbound by genre\, her music is rich with nuance – a sonic memoir woven from fragmented narratives\, field recordings\, a nd emotionally textured topographies. Inspired by her Engadin roots and ar tists like Julia Holter\, Björk or L’Rain\, Bollinger’s live shows fe el like lucid dreams: She’s maneuvering between instruments\, pushing he r band into moments of charged instability. It’s an orchestrated\, impro visatory free fall. \\r\\nIdentity does not mean being one and the same\, but several at the same time. Angola and Switzerland at the same time. Fl ying and falling at the same time. With his music\, Dino makes heads swirl and the splinters of his identity fly high. With a choir\, Dino Brandão remains a cancioneiro. He spreads out the small map of the pop music world in shifting proportions. He has an eye for baroque\, ornamentation and ol d percussion\, plays on foggy synthesisers and kicks his drum machine\, da ncing on the broken pieces. Delightfully tangled in all directions\, Dino Brandão can be all this without losing himself\, whirling on the shards o f his reflection. X-ALT-DESC:

In the work of Swiss artist Andrina Bollinger\, avant-pop\, jazz\, poetry\, and performance art collapse into a multis ensory maze. Initially trained in jazz but unbound by genre\, her music is rich with nuance – a sonic memoir woven from fragmented narratives\, fi eld recordings\, and emotionally textured topographies. Inspired by her En gadin roots and artists like Julia Holter\, Björk or L’Rain\, Bollinger ’s live shows feel like lucid dreams: She’s maneuvering between instru ments\, pushing her band into moments of charged instability. It’s an or chestrated\, improvisatory free fall. \;

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Identity does not mea n being one and the same\, but several at the same time. Angola and Switze rland at the same time. Flying and falling at the same time. With his musi c\, Dino makes heads swirl and the splinters of his identity fly high. Wit h a choir\, Dino Brandão remains a cancioneiro. H e spreads out the small map of the pop music world in shifting proportions . He has an eye for baroque\, ornamentation and old percussion\, plays on foggy synthesisers and kicks his drum machine\, dancing on the broken piec es. Delightfully tangled in all directions\, Dino Brandão can be all this without losing himself\, whirling on the shards of his r eflection.

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