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Reithalle
Organizer:
Kaserne Basel
Nadia Beugré: "L'Homme rare"
Performing a swaying walk, which can be both lively and sinuous, and supple undulations and movements from the waist, the faces of the five dancers choreographed by Franco-Ivorian Nadia Beugré are not visible. The choreography that connects them and is executed solely using their backs is inspired by dance techniques and styles that principally utilise the pelvis. With the insistent use of buttocks, these practices are seen as being more feminine, challenging or even chipping away at a strongly built and assimilated masculinity. If the issue of gender has always featured in Nadia Beugré’s work, in L’Homme rare she tackles it more head-on by offering an inversion of the perception of “male/female attributes” and questioning the attention paid to bodies and the qualities attributed to their movements. Starting with a game that blurs our perceptions of gender, the choreographer places the spectator in the position of a voyeur, which the artist connects to the outcome of her research on our understanding of the body, notably black and male, in history and today. With references to a series of old photographs of slave markets in the Ivory Coast consulted by the artist, L’Homme rare also becomes a reflection on the history of European’s gaze on black bodies and its persistence today.
Nadia Beugré was born in 1981 in the Republic of Côte d'Ivoire. She was first trained in traditional dance and then became a founding member of Béatrice Kombé's pioneering all-female ensemble TchéTché, with whom she toured Africa, Europe and North America. She later turned to modern dance, taking choreography classes with Germaine Acogny in Senegal and at the Centre Choréographique National de Montpellier. She soon staged her own productions, but also danced in works by other choreographers, such as Seydou Boro, Alain Buffard, Dorothée Munyaneza and Boris Charmatz. In 2017, Nadia Beugré began a five-year artist residency at De Vooruit in Ghent.
Alternative date: 11.02.2023
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